Schönberg, Berg & Knussen
Wonderful instrumental mastery by three geniuses
Nov 14 2024
Who is afraid of Arnold Schönberg? His popular Kammersinfonie No. 1 is an early masterpiece that is clearly rooted in the 19th century, yet beneath it whispers of tonal unrest begin to stir. Asko|Schönberg honours its namesake with a programme in which superior instrumental mastery is the common denominator. Listen closely as Schönberg’s meticulous craftsmanship finds new life in the music of his students Alban Berg and Oliver Knussen (1952-2018), a dear friend of Asko|Schönberg and the Muziekgebouw.
Schönberg chose an unusual ensemble for his chamber symphony, with ten wind players and only five string players. This rearrangement of ensemble relationships, pioneered by Schönberg, found enthusiastic followers, including Alban Berg. His finely crafted Kammerkonzert requires an ensemble of no less than thirteen wind instruments, with the piano and violin as soloists. Berg wrote the work on the occasion of Schönberg’s fiftieth birthday. The closing piece of the programme is the deeply moving, wonderful requiem Songs for Sue (2006), which Knussen composed after the death of his wife.
Arnold Schönberg
Oliver Knussen
Alban Berg
Asko|Schönberg